Planning and Preparing for Rain on your Wedding Day
I won’t quote that Alanis Morissette song, but I do understand, first hand, the weather worry that comes with planning an outdoor marquee or sperry tent wedding in the UK. When Ed and I were in the process of planning our wedding back in the summer of 2010 we worried about what we would do if it rained. Would our guests leave early? would we be warm enough? what would we do about photos? would the marquee keep us all dry? and would there be enough space for us all if we needed to be under the canvas all day? We had so many questions and I’m sure you have your own worries too.
The trouble is that even in August the weather in the UK is unpredictable. We’ve been to enough soggy Reading Festivals to know just how heavy and persistent rain can be in August and, at the other end of the spectrum, just how beautiful the days can be when the sun shines. Our August wedding could be roasting hot with clear blue skies, or it could be very wet, but no amount of planning or fretting could change conditions on the day itself. As it turns out, it did rain on our wedding day. It rained the day before as were setting up in the marquee and catching up with friends at the pub*, and it rained on the morning of our wedding too, right up until we walked hand in hand into our ceremony together to No Use For a Name’s ‘International You Day’ **. Thankfully the worst of the rain cleared by the time our ceremony had finished, and the rest of the day was dry.
Although we were lucky with the weather on our wedding day, we’ve attended as guests and filmed as wedding videographers some very wet UK weddings in a range of settings from hotels to tents, from midsummer to the darkest days of the year. I thought I would share some advice for those of you who are planning an outdoor or marquee wedding in the UK and are worried about the weather turning. It’s really not a disaster if the skies go grey, and I want to put your minds at ease.Read more…
Back in February, I took part in a ‘fine art’ bridal styled shoot at Notley Abbey on the border of Oxfordshire and Buckinghamshire. The shoot was styled and planned by Sundari Ferris of The Wedding Sylist and Andri Benson of Always Andri Weddings, and inspired by the fine art wedding scene.
Alongside the photography which was provided by Emma Pilkington on film and digital, I produced two videos from the day’s shoot. The main film was featured by The Wedding Sparrow at the end of July and is set to be republished on Rock My Wedding at the start of December. I also made a ‘behind the scenes’ video which is a little less polished, but a much more honest look at what a styled shoot looks like in reality! Best of all, after a cold February day where we pretended that it was summer, in August I had the pleasure of returning to Notley Abbey with my husband Ed to film a real wedding on what turned out to be one of the hottest days of the year. Read more…
It’s that time of year again, the time for My RØDE Reel, a film competition which challenges filmmakers of all levels and abilities to put together a three minute short film on a theme of their choosing. Last year I entered the competition with a short about my husband Ed’s running. We filmed it together in an afternoon up at the Lickey Hills in Worcestershire. We both enjoyed the process so much that I wanted to make a film again this year, too.
This year’s film is a gliding documentary, and stars my father-in-law Roger, who is a glider pilot. It’s set in the Cotswolds at Cotswold Gliding Club near Stroud in Gloucestershire. For the uninitiated, gliding is a competitive air sport. Pilots fly unpowered aircraft, and stay airborne by finding and using thermals, ridge and wave patterns. Some gliders also have small engines for the purpose of sustaining flight in sub-optimal conditions, but the aim of the game is to stay in the air and traverse long distances by following thermals, ridge and wave patterns across the landscape.
So, to the film. I wanted to make a documentary, as it’s my favourite form of filmmaking. I love making really natural films and keeping things simple and real. As such, I knew that I wanted to follow Roger as he arrived at the airfield, set up his glider and prepared for launch, just as he normally would when going for a flight. My plan was then to cut the footage together with a voiceover of him speaking about gliding, explaining how he got into the sport and the reasons why he loves it so much. I also hoped that we would have a chance to get up for a short flight for some aerial footage, but gliding is so weather dependent that I was unsure if a flight would come to pass.Read more…
The deadline for entries to RØDE’s ‘My RØDE Reel 2016′ competition has just passed, so I thought it a good time to reflect on my experience of entering a film competition. True to form, I didn’t get around to filming and editing my short film until the 11th hour. Perfectionism was my main hurdle, as always, but there were a few other issues at play which meant I had to change my plans last minute. I think it’s been a good learning curve though, and so I wanted to write about and share my thoughts on the matter.
Filming a running documentary
I’m in the process of making a documentary about my husband Ed’s attempts to break 15 minutes for 5km. At the moment his PB is 15:09, set in the summer of 2015 at a Tipton Harriers Open Graded Meeting, and he’s itching to push his time down further. I’ve been tagging along to nearly every race over the past 6 months to capture race footage – from grim cross country events under flight paths and grey skies (Donnington National Championships in February, I’m looking at you) to blisteringly hot Midlands League events such as Tamworth where Ed has taken it upon himself to gather points for his team and navigate immovable barriers at speed. The steeplechase really is an event for masochists.
I’ve captured lots of footage, but it only makes sense in the grand scheme of a longer documentary. For a 3 minute short film, I felt that the narrative would have been all over the place moving from race to race. As such, by the time May came around I had settled on the idea of focusing on a single race for the My RØDE Reel entry: Highgate Harriers Night of the 10,000m PBs. This is an event that Ed has raced before and I’ve attended as a spectator, but this year it was extra special as the ‘A’ races were also set to be the England Athletics 10,000m championships and decide which athletes would compete at the Olympics this summer.